Showing posts with label Palencia. Show all posts
Showing posts with label Palencia. Show all posts

Sunday, April 21, 2013

Suddenly

I was on the verge of posting my promised second entry on Semana Santa in Linares. I edited and worked out the kinks on the train ride back from a long-weekend trip up north to Palencia. But then--two enormous things have happened; suddenly. (And I punctuate that strangely because in reality that is how they have been punctuated, incredibly strangely.) Semana Santa will have to wait.

Since the beginning of winter, my Linarense friends have been warning me that northern Andalucia has only two seasons: broiling and freezing. As a Bostonian born and bred, I admit that I brushed them off. In Boston, your reward for surviving the long, dark cold is glorious warmth, an overabundance of flowers and blue spring sky, and ducklings at the Public Garden. Spring means a gradual transition between harsh grays and lush greens. It's logical; it provides continuity. Spring, between winter and summer, makes sense.

Which is part of why I struggled this past Tuesday morning, and all through this week. It's true, they warned me, but I didn't believe them. All through January, February, March, up until as recently as two weeks ago, the sky was grey and dripping. I needed a heater almost constantly to avoid shivering in my drafty apartment. I wore two pairs of socks to bed under two blankets. The trees were bare, the ground barren.

Then, after Easter, I got sick--horribly stomach-bug-bronchitis-10-days-of-antibiotics sick--and when I managed to emerge from my apartment and return to an approximation of my former routine, the smallest signs of change had begun to appear. I noticed buds on the trees in the plaza. On the train up north, the fields were a neon, almost noxious, green, full of new growth. My weekend at "home" in Castilla y Leon with my friend Hannah featured coffee in sudden, absurdly warm sunshine; picnics in the park; and my first sunburn of 2013... And then, back in Andalucia, I returned to a world altered.

The first thing we noticed when we got off the train in Linares was that everyone was wearing flip flops and t-shirts. We stripped off our sweaters waiting for the bus, and when it came the air conditioning was on. Dropping my suitcase in my apartment before my weekly flamenco lesson, I saw that the trees in the plaza were in full leaf, that kind of deep, shady green that seems like it's always been there. "This is some 'I Dream of Jeannie' sh*t," I said to Hannah. "You know, *blink blink* and pop! flowers in the gardens; pop! leaves on the trees."

I had my lesson (more on the amazing time I am having learning to sing flamenco in a future entry), and then strolled the usual 15 minutes back to my apartment. The strange feeling of having walked in on the middle of summer persisted; the twilight was that special purple that characterizes late evening in July. In Plaza Colon, one of the nicer plazas in town, palm trees shaded playing children in the fading light, teenagers in short shorts gossiping and chewing gum and flirting, old couples sitting on benches enjoying the breeze. Trees flowering a lurid shade of magenta bent their heads downward, heavy with blossoms. The scene was absolutely free of any hint of spring. I texted Hannah again: "I feel like I've been Rip Van Winkled, slept for 100 years and woken up in the middle of summer. I feel like I missed something."

It was an important sentiment to hold onto, because when I got home and signed onto the internet, the first thing I saw was my friend Maya, in Boston, posting: "Boston people: STAY AWAY FROM THE COPLEY SQUARE AREA. There have been two explosions at Boylston and Exeter, down by the Marathon finish line." Reading that sentence, I felt an echo from an hour before-- that feeling that I had skipped over something important and arrived in a profoundly unexpected place, one I had to struggle to understand.

That was beginning of a long, awful several days for many people, in Boston and around the world. Maya sent me the news feed she was following, and I lay on my bed, eyes glued to the computer, for some 6 hours. I felt lost, unable to process this sudden turn of events. I read some paragraphs repeatedly, trying to find a way in to understanding. But I just couldn't seem to believe the terrible things I was reading about what is supposed to be one of the happiest, most positive, most festive days of the year in a city that so many people (myself included) presumed without question would be free of violence of this kind.

For me, the most unsettling part was the idea that the happiest time, crossing the finish line-- a place that another writer on another blog called "the site of the most human potential"-- could be so suddenly altered. I had taken for granted the natural transition of winter to spring to summer; we as Bostonians had all taken for granted the easy logic of safety and order during one of our most hallowed days. But there was nothing logical about how easily this bubble of security, the one we all carry around with us that allows us to go about our lives without fear, could be so suddenly burst, nor about the perpetrators' desire to inflict such suffering (physical or psychological) on innocent people. Nothing made sense about going away for a weekend up north or for an hour to a flamenco lesson and coming back to a world that looked so profoundly different. I thought back to my "I Dream of Jeannie" comment, which now seemed weeks earlier. I wished I could *blink blink* this away, too. In my enormous, empty apartment I felt very alone and very far from home.

The next day I got out of bed with some difficulty, having slept perhaps 3 hours, feeling like a heartsick, shaken zombie. I went to school dreading having to put on a happy face, although surprisingly my hours of teaching that day were the easiest, providing something else to think about. The day was incongruously bright with that same strange mid-summer sunshine, its accompanying chirping birds and lush greenery. Around me, people went grocery shopping, drank coffee, talked to neighbors-- another normal day. Between classes, I checked for updates, found my eyes welling up at descriptions of the victims and the injured, the paramount importance of Patriots Day in New England life, and the kindness of strangers in the face of such sudden upheaval. A few teachers offered kind words. The rest were unaware.

I came home, went straight back to my news feed, and found a post from a fellow expat in China. Somehow, his words managed to echo my own thoughts, and it was a comfort. 

"Today I’m sitting in a virtual corner, all alone in my Chinese office," he wrote. "I’m surrounded by nice people (very nice people, I fact), but they don’t get it. They can’t get it. None of them are from Boston. Hell, none of them are even Americans. The few quiet words that they offered when I first arrived were nice, but they barely helped. Not since my first days after moving here, when I didn't know anybody in this huge megacity, have I ever felt so isolated. What I really want are some Bostonians to commiserate with, to hug."
"Exactly," I thought.

The next days were still difficult, but sleep and time heal many things. I was lucky-- no one I knew was injured (or worse) in the bombings-- and as Boston held vigils, I started to move toward healing, too, across the ocean. I napped, I talked with friends, I discovered a new cafe in the old town behind my house. Its umbrella-shaded terrace seemed the perfect place for a mid-day beer and a tapa of bull's tail in savory brown sauce (it may sound bizarre, but actually it's quite delicious!) Sitting on the bleached brick streets, watching the light mid-day traffic roll by, I soaked in the contrast of orange tree leaves against the sky. I watched a man lean his bold red Vespa against the brown stone of the house next door at an angle so perfectly picturesque that it almost hurt-- and felt peace for the first time in days.

But then Friday morning: chaos again. A friend had arrived for a weekend visit, but I could hardly leave my room and tear my eyes away from the news coverage. It was almost too intense, too bizarre, to be believed. Police chases snaked through what amounts to my childhood, tearing down Mount Auburn street, where I waited for the bus to Harvard Square in my bored and rebellious high school days; past the Town Diner (still my favorite in Massachusetts), where I've eaten dozens of eggs over leisurely Sunday brunches. I watched with horror as the media set up camp at Arsenal Mall, the site of many back-to-school shopping sprees. How could it be possible that the suburban streets five minutes from my childhood home could so suddenly become a war zone, transformed with the same surreal abruptness that had heralded this strange Linares summer?

With relief, Friday night brought some closure. My tired eyes stayed open until 3 am, waiting for the all-clear call, having to know how this was going to end. I fell asleep breathing a sigh of relief along with my fellow Bostonians, imagining our exhalations making my window panes rattle all night. And this weekend, although the summer has continued to blossom,  the temperature has fallen back a little. The trees are still in full leaf, and that specific summer light persists, but the temperature whispers of spring.

I wish there were an easy moral to this, a neat way to sew up the parallels I see here. But in the search for meaning (in something as enormous as the violence and upheaval Boston experienced this week or as small as a sudden season change) things are rarely so simple. That's as close to a moral as I can find: to hold fast to the small beauties-- the sweaty achievement of a goal, a beer on sunny bleach-bricked streets, a neon-green field full of new growth, or a picture of a city you love-- and to understand that that the logic and continuity of New England spring is an unusual luxury in a world that is most often abruptly unexpected, uneven, inexplicable, unfair. Winter can become summer or the dream a nightmare in an instant-- but (as I watched my city prove from afar but always knew in some part of me) together we can make it to the otherside.


Wednesday, April 3, 2013

Semana Santa 2013: Passion and light-heartedness in the Andaluz streets


 
 Hooded penitents march in a Semana Santa processions outside the cathedral in Jerez de la Frontera

After experiencing it last year in Palencia, I thought I knew from Semana Santa. Castilla y Leon (the Spanish state that contains Palencia) is known as an area with amazing Easter festivities. It's true: the processions, in which enormous pasos (statues of bible scenes, sometimes hundreds of years old) roll through town, followed by penitants in eerie hooded costumes and accompanied by complete silence, are affecting and impressive. People come from all over to see Easter in Salamanca, Burgos, and Leon, and I understand why. Something powerful and unique is at play there.When I moved south, people kept telling me: “Semana Santa in Andalucia is different.” They insisted it was both more passionate and less serious, which was a hard combination for me to imagine. In the end, though, that is exactly what I found.

The biggest difference is immediately obvious in any Andaluz Semana Santa parade: the costaleros. Andaluz pasos are similar to their northern brethren in that they are enormous platforms topped with statues, although these tend to be images of saints and Jesus’ last days and beautiful renderings of Mary (well, Maria) on top. Instead of being rolled by the penitents, they are carried by teams of “costaleros” (the ones who carry), between 15 and 40 people depending on the size and weight of their burden. For the weeks leading up to Easter, the costaleros practiced in my neighborhood, training like marathon runners--and it’s a good thing, too, the pasos can weigh more than 1000 kilos.

I would come upon them suddenly, rounding a corner to find them moving slowly, almost silently, along the street. The clues to their presence were the soft thud-thud of their sneakers moving in under an enormous but as yet empty platform, a borrowed police light on top warning drivers to stay away, the ding of a triangle keeping rhythm. A week before Semana Santa, they added weight, building the metal skeletons of their saints on top to simulate the distribution of weight. Later, though, in the processions themselves, the costaleros were almost invisible behind a curtain of cloth, only their sneakers visible, always moving in unison. They'd move a hundred meters, then stop to rest and put the paso down. Then, with grunts and yells from hidden places, they'd jump up, suddenly, landing dramatically with knees bent and the paso on their backs again.

In the course of a few days, I saw processions in Jerez de la Frontera, Cadiz, and here in Linares, and it’s true that by and large the atmosphere was light, funny, social. People chatted with neighbors, penitants texted on their phones as they marched, mobile stands sold snacks and plastic trumpets for the young ones-- all behavior that would never be permitted up north. It felt like a big street party, crowds of people dressed up in their best dresses and slacks, bows in the kids’ hair, gossip and salty snacks on everyone’s lips. There was never a moment of silence, even as the costaleros shuffled by.... but it all stopped for the saetas. These long, intense, deeply-felt and often improvised flamenco songs are sung for the saints as they are paraded through the streets, and they are unique to southern Spain. I heard three saetas during Andaluz semana santa, and each time I was struck by their vocal acrobatics,  pure emotion, and the silence and stillness that would sweep over the scene for just a moment.

That’s where the passion comes in, I think—no, Easter may not be a silent, serious time here in the south, but people certainly feel very intensely about it. Some hate it ("A bunch of hypocrites, they don’t go to church the rest of the year," one friend commented to me); others look forward to it all year with mounting excitement. The costaleros go through enormous pain and suffering in the name of the holiday and their savior. The saeta singers pour their hearts out in front of crowds who turn out from all over town and at all hours (more on that next entry.) And when it rains and the pasos can’t go out (most are considered priceless works of art due to their age and provenance), the people hold each other and cry—real tears.

It was a rainy Semana Santa all over Spain, especially in Andalucia, and ESPECIALLY in Linares (I read in an article today that up to 4 times the normal amount of rain fell in March. In some places up to 6 times!) so there was a lot of crying this year. But one particular, particularly impressive procession took place at 4 am on Thursday night, and I was there to witness it. Stay tuned for my next blog entry to read all about it.

 A late-night procession, bringing a paso home to its church in Jerez de la Frontera

Tuesday, December 11, 2012

Palencia-Linares: A comparison

I am unabashedly a child of the internet generation, so when I was assigned to live in Linares last spring my first reaction was to do some online digging about my new Andalucia-home-to-be. First, I found the basics: the area's background as a mining center, some photos of the town hall and Paseo de Linarejos, a schedule from the World Chess Championship that is held here every year. But I also discovered some strange parallels between my new and old stomping grounds, and now that I've introduced you to both of them, I can present my findings.

I. PALENCIA

Population: Between 65,000 and 75,000, depending on your data source
Closest large city: Valladolid, population 300,000
Distance to said city: 45 minutes by train or 1 hour by bus
Distance from Madrid: 3 hours by bus to the north
Distance from ocean: 2 hours by car to Santander, on the Cantabrian Sea
Thus: Effectively half way between Madrid and the north coast
Distance from famous university city: 2 hours by train to Salamanca
Tourist status: Virtually unvisited by tourists (despite a beautiful cathedral, Roman bridge, and 19th century main street); surrounded by famous Spanish destinations such as Salamanca, Leon, Burgos, and Avila.


II. LINARES
Population: Between 60,000 and 65,000, depending on your data source
Closest large city: Jaen, population 150, 000 (okay, I admit that I thought this number was closer to Valladolid's before looking into it)
Distance to said closest city: 45 minutes by train or 1 hour by bus
Distance from Madrid: 3 hours by bus to the south
Distance from ocean: 2 hours by car to Velez-Malaga, on the Mediterranean Sea
Thus: Effectively half way between Madrid and the south coast
Distance from famous university city: 2 hours by train to Granada
Tourist status: Virtually unvisited by tourists (despite vibrant tapas and flamenco traditions and a cute downtown); surrounded by famous Spanish destinations such as Cordoba, Sevilla, Granada, and Malaga.

You tell me: coincidence, or something stranger?

Monday, February 13, 2012

Sing-a-long

The Lemon Society is one of my favorite nightlife spots in Palencia (see its listing my "things to do in Palencia when you're (not) dead" entry). The inexplicably English-named watering hole, with its colored lights, sleek bar, and menu scrawled in crayon on the wall, is funky enough to appeal to me but trendy enough to attract a crowd of late-20s-to-late-30s Palentinos on almost any night of the week. It is a lovely size for cozy conversation; I enjoy its reasonably-priced local wine selection, served in oversized glasses; and (perhaps most importantly) it is one of the foremost venues for live music in the city.

At least once a week, The Lemon Society plays host to one of the many small-time rock, pop, folk, or blues bands currently touring around Castilla y Leon. I've seen classic-rock tinged duos, punk-pop outfits, and even once a Louisiana-style-blues band imported from Tennessee. Often these bands are only stopping in a few places in Castilla y Leon-- Burgos, Salamanca, Leon, or Valladolid (all much bigger cities), and Palencia. I'm convinced that the Lemon Society has something to do with that, and I'm grateful.

This past weekend's concert lived up to my Lemon Society standards. The artist was the lead-singer of a much-loved pop-rock band from the 80s and 90s called The Lemons (strange name coincidence.) Everything seemed to be well-balanced that night: I went to the show with a group of friends, a mix of Spaniards and foreigners (which I find is often hard to maintain in a ceaselessly foreign environment where spending time with other visitors can be almost too easy.) On other nights the bar had been suffocatingly full, but tonight the crowd level was perfect--large enough to transmit excitement and energy but still with room to breathe. The green and purple lights threw shadows on excited faces as we waited for the show to begin.

It was during that waiting period that I noticed that the atmosphere in the bar differed from what I'd experienced at other shows I'd seen there. Unlike me, it didn't feel like these were people who had just popped in to see who might be performing tonight. They were there with purpose, with expectation. When, a few minutes later, the singer appeared and began to work his way through a lush acoustic guitar-and-harmonica set, they all seemed to stand up a little straighter. And then something happened that I'd certainly not encountered before: as he reached the chorus of his first song, I heard voices joining in all over the bar. Quiet voices and rough voices, from the perfectly-coiffed fashionistas to the boisterous drunk in flannel at the front. I'm always a fan of a sing-a-long, so I closed my eyes and let the sound wash over me.

The set continued: a quiet ballad segued into something more fast-paced and rollicking, and the crowd went along for the ride, clapping and swaying. The energy in the room was palpable. Looking around, it seemed like an awful lot of people were smiling. I couldn't figure it out-- how did everyone in this bar know the lyrics to all these songs? I finished my wine and leaned over to teach one of my Spanish friends the word "sing-a-long." In return, she offered something of an explanation. These songs, she said, were beloved covers from the 1980s.

"In the 80s, after Franco, pop was one of the first arts to recover. Everyone was crazy for music in those days. Those songs brought people together. A lot of people still remember the words." She smiled. I noticed she was tapping her toes to the beat.

The concert was winding down, and I had an early train to catch the next morning. But for a few moments more I sat bathing in the sound of voices raised in unison, now seeing the proceedings from a new perspective. People here are loathe to discuss that part of their history, but (or perhaps thus) I am often surprised by how the specter of Franco still lurks. He's still here, in more than just bad memories-- he's present in the way people think of themselves, their religion and their country; in the absence of nationalistic fervor or even flags (an attitude which for me is reminiscent of Japan) -- and even in something as small as a singalong in a crowded bar.

More thoughts on this to come, I expect.

Sunday, January 22, 2012

¿No estás aburrida? (part 3)

In the beginning of this series (before the new year), I wrote about the differences I've found between what I called "nomadic" travel (in which one moves around without putting down roots) and the type of travel where one makes a new life in a foreign place. Specifically, I wrote first about the difference between the ecstatic highs of nomadic travel versus the slow-burn warmth of finding the small things one loves about a foreign place day-to-day. Later, I wrote about battling my fear of boredom as I've settled into Palencia. I didn't think the two were particularly related at the time, but the more I think about it, the more I realize that they are connected in some important way.

Nomadic travel is by definition without routine or everyday responsibilities. One is subject to an entirely new set of stresses, of course, but there are no meetings to go to, electric bills to pay, or trash bags to take out. One need never do the same thing two days in a row, and every week brings a new barrage of challenges-- a new metro system, language, currency, or set of customs to adapt to. To a certain kind of traveler (namely, me), adapting successfully and rising to those challenges affords a unique and intense satisfaction, a kind of happiness rarely encountered, and so my year of nomadic travel was perhaps the ideal adventure. Never have I felt so fully or consistently challenged. It was occasionally overwhelming, scary, and lonely, but it was always filled with thrilling newness-- whether I was at a Hindu wedding, sitting in on a Viet luck ceremony, dancing at a Turkish coming of age ritual, or singing Tibetan drinking songs.

Making a new life in a foreign country in many ways presents an opposite experience. Yes, there are many exhilarating new things--neighborhoods to explore, bars to sample, people to meet, customs to learn-- but after the first weeks they arrive within the framework of a routine. Except in the most metaphorical sense, a Spanish life is not the same as a Spanish trip, and there are bills to pay, dentist appointments to keep, dishes to wash, and classes to teach--whether one feels like it this morning or not. Making a new life requires developing a cycle of tasks that repeat--get up, make coffee, go to work, meet friends at that one bar, grocery shop at that one store-- in a way that tasks do not repeat when one is participating in nomadic travel. And I am starting to think that it is from that repetition that the boredom I so fear develops. Somewhere along the line, a life of cyclical routine loses its charm at the price of looming monotony.

Except, here's the thing: when I first started thinking about moving to Spain to teach, it was exactly that cycle, that familiarity, that appealed to me. I spoke (and wrote) about a desire to "get under the skin" of a place--to be a regular at a cafe, to pinpoint the best places for live music, to know where to get the best or cheapest produce, to become more than a passer-through, more than a dilettante of foreign life. Even now, writing those words, that prospect is appealing to me, and it's something I believe I'm achieving. If I weren't, how could I have made the list that preceded this entry about things to do in Palencia? How could I have found people to wave to when I pass the cafe on the corner of the Parque Salon? How would I know about the fruteria near the old gun factory, where I can buy all of my week's fresh fruits and vegetables for E15?

So, I've started thinking that maybe it's the word I fear, rather than the action of boredom--and the most powerful thing about language is its mutability: a word can always be reframed. So yes, there are mundane tasks that must be done, and they do not always seem glamorous or exotic. of them I will have to do week in, week out until I leave this place in six months. And yes, I will go to some of the same bars and restaurants many times over in my time here. But I've come to the conclusion that boredom in this sense, as repetition, is an inherent part of the kind of travel in which you make a life. It is this repetition that will help me to get "under the skin," as I've said, to try new tapas at that bar or go back to the park by the cathedral to see how it looks in winter instead of fall. That repetition means depth instead of breadth--and if depth is boredom then perhaps that boredom is something to be embraced.

It's up to me, then, to destigmatize for myself the idea of repetition. I need to work toward rethinking the concept of mundane tasks and familiar actions in an un-mundane setting as not something to run away from, but instead as marks of victory.

Monday, November 21, 2011

¿No estás aburrida? (part 2)

In my last post, I wrote about my frustration with the litany of concerned friends and acquaintances constantly wondering if I don't find Palencia boring. I also ended on an uncertain note, wondering how I might fight against the tide, not of boredom but of bored people--people who have the power to convince me that life here doesn't have the potential I know it to have.

So, in response, I have concocted a list of Things to Do In Palencia:

1) Eat tapas at Ribera 13, which everyone agrees has the best tapas
2) Eat tapas at El Trompicon, which as far as I can tell is the closest Palencia has to a dive bar. It is famous for its filthy floor and cheap prices.
3) Have dinner at El Chaval de Lorenzo, the restaurant where I made friends with all the staff and where a constant stream of old men and women play dominos and cards
4) Eat dinner on Plaza Mayor (at the restaurant whose name escapes me) where drinks, bread, an appetizer, an entree, and a dessert are 11 euros
5) Have coffee at the lovely cafe on Calle Mayor
6) Have drinks at La Oficina, one of the city's oldest bars
7) See a movie at one of the three movie theaters
8) See a concert at Teatro Ortega
9) See a play at Teatro Principal
10) Watch live jazz at La Oficina or Ponte Vecchio
11) See a band at the Lemon Society
12) Go to a wine tasting at the Lemon Society
13) Try good-quality ham at the butcher near Plaza Espana
14) See a show at La Puerta Verde
15) See stand up comedy on Avenida Casido de Alisal
16) Go to the Sunday flea market
17) Go to the Mercado de Abastos for fresh produce
18) Walk along the river
19) Sit in the Parque de Dos Rios and read the newspaper
20) Sit in the Parque Salon and people watch
21) Walk along Calle Mayor, window shopping and people watching
22) Climb up the Cristo
23) Go out dancing in a salsa club
24) Party in "la zona," a cluster of bars and clubs in the city center
25) Take a day trip to Valladolid, Burgos, vineyards along the Rio Duero, the ruins of the Roman Villa near Saldana, or the walled city of Avila
26) Hike in the hills by the city
27) See one of the art exhibits in the churches
28) Have a drink by the cathedral and watch the storks come home to roost
29) Go to mass in the cathedral
30) Eat lechazo (a special Castilla y Leon lamb dish) at any one of the city's nice restaurants
31) Bike around the city using one of the municipal rented bikes
32) Go to 1 euro sandwich night at 100 Montaditos bar
33) Drink 4-euro mojitos at Casco Viejo
34) Have chocolate con churros at the chocolateria by Parque Salon
35) See a salsa, meringue, or rap group at Cafe Central
36) Go see the current exhibit at City Hall and admire the architecture
37) Take a class at Espacio Joven (youth center)
38) Ride the river boat from the north of the province down the Canal de Castilla toward the city
39) Go on a government-organized nature walk
40) ... to be continued

(Next time: those promised thoughts on expathood and the role of boredom in travel and everyday life)

Sunday, November 13, 2011

¿No estás aburrida? (part 1)

This question, which translates to "Aren't you bored?", has been sort of the bane of my existence the past six weeks. Or really, longer than that. Ever since I received the news that I would be teaching in Palencia, I've had people (mostly Spaniards) putting on their pitying faces and consoling hats and going to town.

"Oh, it's very pretty," they almost invariably say. "I've never been there. But it's really small. There's not much to see." They don't always say the "A" (or in English "B") word, but they don't have to. It's implied. Here, "small" means "unimportant" and "unimportant" means "empty of interest."
... Okay, to be fair perhaps it's not quite so stark and extreme as all that. But for a lot of Spaniards it seems there's two types of places: big cities, and everything else. And I think you can guess which type is worth your attention.

As I've struggled to make a new life here, I've been dogged by an anxiety that is difficult to place. Even once I found an apartment, moved in, and started work, I felt niggled by something I couldn't name-- until, after a few weeks, I started to discover the city and realized it was boredom I feared. All I saw in terms of socializing and food were a scattering of typical Spanish bars throughout the city. They were atmospheric bars, yes, that showed bullfights, served tapas and local wine, were full of old men playing dominoes. But as someone who possesses a more-than-generous helping of the so-called novelty-seeking gene, that didn't seem like enough to keep me engaged for a year. Yes, enjoying those bars for the first few months would be lovely. But what about after that? What if everyone was right? What if I was going to miserable here, and this was the proof?

I started an almost desperate search to prove them wrong. I examined every passing poster and flyer for events happening in Palencia. Surprisingly, I found a fair amount--plays and concerts at the city's two theaters, a festival of local gastronomy, a nature walk led by the Spanish equivalent of the Parks department. I went to some of those events, with mixed results. A concert by a touring Cuban group, decked out in three-piece suits and bowler hats, was fantastic; a benefit for the local food pantry featuring what can only be described as two land-locked cruiseship singers, not so much. But I was heartened even by the presence of cultural events, of possibilities, of choice. I started to realize that for me, choice on how to spend my time is really important. I didn't like the idea of being boxed into one particular activity for all of my Spanish weekends.

The next weekend, I found out that a small bar by the manicured park that cuts the city in half hosts live rock music every weekend. After that came an "alternative" pub with salsa and rap acts; a karaoke/bowling joint with comedy acts on Tuesdays; and a restaurant famous for its filthy floors and tasty, cheap food. And I felt something change--my search for interesting Palencia adventures was no less thorough, but its mood had altered. I found that as long as I knew that there were fun things out there for me to discover, I enjoyed the act of discovering them. Prior to moving to Spain, I had written to a friend that I was looking forward to "getting under the skin" of a city--that had been a big part of whatt I've referred to here as my "stale" expat dream. Well, this was what "getting under the skin" felt like... and I was enjoying it.

I paced myself, trying out a new bar or exploring at a new street, signing up for a dance class, or going to a new concert, once or twice every week. I was (and am) aware that Palencia, while rich with interesting options, is not by any means an infinite city, but I liked mixing newness with the start to a routine, a list of fun places I could frequent if I liked. Sometimes I traveled around the province, or even farther afield (posts about my trips to Madrid and to Galicia, a province in the northwest, are coming). And I didn't feel bored. At least not yet.

Honestly, that's been the worst part of it. The initial fear has mostly been dispelled, but the endless discussion of the "b" word with Spaniards (most often Palentinos themselves!) has not ceased. I'm sure this city is not a cornucopia of fascination for people who've lived here their entire lives, but I haven't--so for me it's an honor and a pleasure to learn about everyday Spanish life and make one of my own here.

My big realization has been that I fear the conversation more than the reality-- so I admit that "Aren't you bored?" and its other question compatriots still niggle. We start down that road, and I feel myself beginning to wonder and to worry. I wring my hands, imagining myself here in the gray doldrums of February, feeling trapped and miserable. Honestly, these days, I find myself thinking that if people would stop asking me if I'm bored, or if the city is too small, or if I have things to do; if they would just stop talking about how [fill in other city, Barcelona/Burgos/Madrid/Valladolid/Salamanca] would make a much better and more pleasant place to live... I could probably live here more or less happily.

Of course, the question after that is: if the conversations and commentary won't stop, how can I fight them? Steady, persistent rhetoric can be as potent a weapon as water torture. Are my weapons of choice-- determination, curiosity, humor, a sense of adventure--powerful enough to hold back the advancing tides of discontent?

(Next in this series: Some thoughts on the relationship between boredom, travel, and expathood.)

Tuesday, October 25, 2011

January Thaw

I’m no drug user, but it’s hard for me to believe that I could ever find a substance that would give me the kind of high-- sharp, bright bolts of happiness, upwellings of utter contentment, excitement, fascination--that travel has given me. Everything is so colorful, intense, exciting, different, and it leads to moments of uttery joy. I’m thinking about how I felt watching the sun set on the top of the hill next to my guesthouse on Naxos in Greece. Singing drinking songs with Tibetan migrants. Playing with the kids at the Turkish circumcision ceremony. Climbing up to the world’s farthest-east cliff at dawn in New Zealand. Dancing with Aztecs in Mexico on the equinox. I don’t think I will ever find something so soul-filling, so dazzling, so ecstatic.


Longtime readers of this blog may remember that it is this ecstasy that led me here, to Spain. I had so many wonderful experiences, met so many wonderful people in the course of my yearlong nomadic existence, but it was really difficult to always be leaving people and places I had just come to love. What it would be like, I wondered, to put down roots somewhere foreign instead of always moving onward and upward? didn’t know it, but in the first weeks of my life in Palencia, as I started answering that question, I was carrying that ecstasy with me. It was weighing me down.


Before I left Boston, at one of the many jubilant goodbye shindigs I attended, a friend pulled me aside and gave me a pair of earrings and a peptalk. “The first week is going to be wonderful, and I want you to wear these and think about how kickass you are. And the second week is going to suck. You’re going to wonder what you’ve gotten yourself into, where you’ve ended up. You’re going to want to go home. And I want you to wear these, then, too,” she told me.


I heard her, in the sense that the sound vibrations were processed in my eardrum and through my brain… but I don’t think I really heard her.


It sucked, really, at depths I hadn't anticipated. The first few moments in Palencia were of wonder, sure. I took the walk down Calle Mayor described a few entries ago, charmed by the place. It didn't take long for charm to fade into shock, frustration, fear, though. I found the hostel I’d booked for the first few nights, met up with some fellow teaching assistants, started looking for apartments. But although technically I was moving, it felt like standing still. Everything was doubly difficult: I was unable to find internet, let alone an apartment; unable to understand anything or make myself understood. I felt like I was bathing in anxiety, never able to relax or unclench my jaw. Five days in, I had the predicted melt down, wanting to run away somewhere… but to where, exactly?


I didn’t run. Instead, over the course of a week I forced myself to start to get a feel for the town. I found a café, Chaval de Lorenzo, with Wifi, where I made friendly chit-chat with the young Cuban waiter, Guillermo. The cafe staff learned to expect me in the evening for dinner or a cup of kolakao (a Spanish brand of hot cocoa), while old men around me cheered for the Valladolid futbol game or Leon bullfight. I met the teachers (almost all women) at my school’s English department, drinking espresso with them by the banks of the Carrion. I strolled along the Calle Mayor at dusk, enjoying the traditional paseo with what seemed like the whole town. I discovered the cathedral and its circling storks; I climbed the Cristo Otero, the giant Jesus statue outside town. It all sounds awfully romantic, doesn’t it?


I couldn’t understand why it didn’t feel romantic. It didn’t feel like anything. I wasn’t excited or ecstatic; I also wasn’t despondent. Instead, I was confused. I was living a dream, albeit a stale one. I was setting up a life in a new country, where every day brought me the fascinating, the picturesque, the new and different. Where were those bolts of pure happiness? I felt frustrated and numb. I woke up and felt nothing; ate, worked, spoke, slept. Nothing.


After a week, all the teaching assistants traveled to Madrid for orientation. It wasn’t a particularly happening weekend—we spent most of our time being talked at in a strangely windowless hotel. But on Saturday night I went out. I went by myself—which was difficult and is a topic for another blog post—but I was determined to see some good live music, with or without company. So I did my Internet homework and found a few bars with good reputations, then set out into the night.


The first bar was closed for renovations, and I almost gave up right there. But the second venue was not far, so I picked my way through increasingly teeming streets to a little bar pulsing with energy and drum riffs. Five euros later, I had my beer in hand and was watching a contagiously enthusiastic band throwing themselves into a strange but fantastic musical mixture of ska-punk-salsa-reggae-rock. Crammed on stage were timpanis, a full drum set, a brass section, a handful of guitarists, and a wild-haired halter-topped female singer who was doing her best Gwen Stefani impression and, quite frankly, killing it.


As one ska-tinged song was traded for another with a rocking salsa hook, the crowd responded as one, a mass of happy dancing bodies caught up in the musical chaos. They sang, they jumped, they twirled. And I felt it—that bright hot newness that transports you somewhere close to tears, that delivers a goofy grin and a heart full of helium. I stayed until the end of the show, then caught the last metro back to the hotel. I was so happy: for that night, and for the feeling that I had worried had deserted me. It felt like that flash of warmth that comes for a few days in January of a hard winter. Such a relief after the frost.


In the next weeks that happiness soured to anxiety. My life in Palencia was only becoming richer. I went to a deliciously chaotic gastronomical festival full of sausage, cheese, and wine in the town square. I started to discover interesting bars and venues for theater and music. I found an apartment with a beautiful view of the city, I met new Spaniard friends who brought me to tapas, I visited Roman ruins (details of all of this to come.) But I never found that high, and often that numbness persisted, a distant feeling: "Someone like me would really love this. Should really love this.” Instead there was just blankness, and frustration with that blankness.


Until one afternoon, I was walking to the train station when a boy from one of my classes passed me in the street. He raised his blue-casted hand and yelled “Hell-oo, Ah-lee-sa!”, then nudged the woman accompanying him--a sister, mother, babysitter?--- who twirled around to get a look at whoever her young friend was yelling English at across the road. I grinned and waved back, feeling a purring warmth spread in my chest. There’s something special about being called by your name in the street of a new place.


And as I’ve gotten settled these few weeks, I’ve continued to notice that purring. I go to a concert, discover a new restaurant, meet a new person, go for a walk in the stone streets and think, “This feels good.” Once I even thought, before I could catch myself, “I’m glad I’m living here, even if I couldn’t tell you why.”


I’m not sure if that’s the answer here: is this the feeling of a new foreign home? Does this slowest-paced version of ‘travel,’ this process of home-making, necessarily mean a pleasure that is more stable, a slow and steady warmth instead of the extremes of bright, lancing heat? There’s one part of me that still fears something is missing, that somehow something I’m doing is wrong if I don’t feel those highs from my traveling days. But in my new grocery shopping lists (on which I make sure to include Kolakao), triumphant second-language conversations, walks by the river, hours looking out train windows, savored café-con-leches—and in that purr that backs all of it like a rumbling cat orchestra-- I am starting to think that I was looking at the wrong weather report in Madrid. It wasn’t summer, no, but maybe it wasn’t a thaw between cruel winter months, either. Maybe it was spring coming.

Sunday, October 16, 2011

A walk through Palencia, 2


Well, it's not exactly complete (no shots of the river, nothing of my school, my apartment, the cafe where I hang out far too much, the Parque Salon...) but may I present: a brief and abridged walk through Palencia.
(Now with 100% more pictures!)

The Plaza Mayor at twilight during a rare pause in raucous games of tag

Calle Mayor, 1. A Sunday afternoon, when no one is out. Any morning or evening the street is packed with people participating in the habitual "paseo" (walking) before or after meals. Here you can also see 'La Gorda'

Calle Mayor, 2, the section near the bus station.

El Cristo Otero, one of two Jesus Christ statues completed by Victorio Macho (the other one being the famous statue over Rio de Janeiro). Supposedly the second biggest in the world after its Rio brother

The view over Palencia from the Otero (which we climbed one Sunday afternoon when everything was closed)

The famous Palencia Cathedral. Unfortunately none of the photos I took of the storks that live on the spires came out well.

A blurred but lovely shot of the Plaza around the cathedral at dusk

View of the city from my 7th floor apartment balcony