Habeis ganado? Que si, hombre

Almost nine months ago, we auxiliars-to-be sat in an airless, windowless room in Madrid talking to one of the American consuls. She was speaking about safety, urging us to be careful of muggings and pickpockets. "But," she added, almost as an afterthought, "there's something you have to understand about Spanish people. To them, the street is an extension of the living room, and they treat it as such. You need to be careful, of course, and sensible. But help is never far away on the Spanish streets."

When I first arrived here almost nine months ago, I think I was too busy in my head to really see the miracle that is Spanish summer. By the time I had adjusted and settled in, the days were ending earlier and the trees bending over the Rio Carrion were tinting yellow. Outdoor tables at cafes were stacked and put away; the fog of winter (both bone-chillingly literal and metaphorical) obscured what had come before.

And then, to be honest, the weather this spring hasn't been ideal, either. After the driest winter in 70 years, we had several weeks straight of cold, raw, rainy unpleasantness. We powered through a wet Semana Santa and still managed to enjoy it (posts forthcoming), but I admit it put a damper on this last month or so.

And then suddenly this week--summer, and I understood finally what she had meant.

The heat arrived a few days ago, without any real warning or transition, and it happened to coincide with a very important soccer game, the championship of the European League. I've never been much for soccer, but the electric atmosphere combined with the sudden warmth of the air to create something remarkable. Tin tables and chairs sprouted like mushrooms and the streets were choked with the chatting and strolling multitudes. At game time, children chased soccer balls of their own in the main square while muffled roars sounded from the surrounding bars. I sat with friends and savored the first outdoor beer of the season, then walked down the deserted main street listening to the game's aftermath. We passed a couple of celebrating fans in striped red-and-white jerseys. "Habeis ganado?" we asked them-- "Did you guys win?" "Que si, hombre," the taller one yelled over his shoulder. "Obviously!"

We turned the corner and passed a similarly exuberant bar, festooned with red and white cloth and team flags, spilling warm yellow light into the street. Through the window I could see a cluster of men packing food into plastic containers to bring home. Outside, by the window, three grandmother types played cards and sipped beer. I looked at my watch: 12:30 am. The week before, the streets had been empty, reflecting moonlight in freezing puddles. Now it was like these women had always been here; like they had never been cold in their lives.

The heat continues as I write this, and our sudden summer is calling for a shift in schedule. Already things feel lazier, more relaxed... and they are definitely pushed later. It's this change (along with the retaking of the streets) that's made me feel in the last few days that everything is falling into place. Chatting with my roommate over lunch, greeting acquaintances in the grocery store or at the park, enjoying the late night warmth--I feel like I've finally found my rhythm.  I'm a notorious night owl, and it's thrilling to sit in air as warm as bathwater with a group of friends drinking a beer, surrounded by a crowd so robust that the waiter has to tell us any food we order will take an hour to arrive. The night is dark, thick, hot, ringing with the clink of glasses and jostling cutlery. There are sleepy children eating ice cream and older couples walking arm-in-arm. In the United States any of these people would be snug, safe and sound in their beds. But here in Palencia, it's 1 AM and summer has arrived.

Sing-a-long

The Lemon Society is one of my favorite nightlife spots in Palencia (see its listing my "things to do in Palencia when you're (not) dead" entry). The inexplicably English-named watering hole, with its colored lights, sleek bar, and menu scrawled in crayon on the wall, is funky enough to appeal to me but trendy enough to attract a crowd of late-20s-to-late-30s Palentinos on almost any night of the week. It is a lovely size for cozy conversation; I enjoy its reasonably-priced local wine selection, served in oversized glasses; and (perhaps most importantly) it is one of the foremost venues for live music in the city.

At least once a week, The Lemon Society plays host to one of the many small-time rock, pop, folk, or blues bands currently touring around Castilla y Leon. I've seen classic-rock tinged duos, punk-pop outfits, and even once a Louisiana-style-blues band imported from Tennessee. Often these bands are only stopping in a few places in Castilla y Leon-- Burgos, Salamanca, Leon, or Valladolid (all much bigger cities), and Palencia. I'm convinced that the Lemon Society has something to do with that, and I'm grateful.

This past weekend's concert lived up to my Lemon Society standards. The artist was the lead-singer of a much-loved pop-rock band from the 80s and 90s called The Lemons (strange name coincidence.) Everything seemed to be well-balanced that night: I went to the show with a group of friends, a mix of Spaniards and foreigners (which I find is often hard to maintain in a ceaselessly foreign environment where spending time with other visitors can be almost too easy.) On other nights the bar had been suffocatingly full, but tonight the crowd level was perfect--large enough to transmit excitement and energy but still with room to breathe. The green and purple lights threw shadows on excited faces as we waited for the show to begin.

It was during that waiting period that I noticed that the atmosphere in the bar differed from what I'd experienced at other shows I'd seen there. Unlike me, it didn't feel like these were people who had just popped in to see who might be performing tonight. They were there with purpose, with expectation. When, a few minutes later, the singer appeared and began to work his way through a lush acoustic guitar-and-harmonica set, they all seemed to stand up a little straighter. And then something happened that I'd certainly not encountered before: as he reached the chorus of his first song, I heard voices joining in all over the bar. Quiet voices and rough voices, from the perfectly-coiffed fashionistas to the boisterous drunk in flannel at the front. I'm always a fan of a sing-a-long, so I closed my eyes and let the sound wash over me.

The set continued: a quiet ballad segued into something more fast-paced and rollicking, and the crowd went along for the ride, clapping and swaying. The energy in the room was palpable. Looking around, it seemed like an awful lot of people were smiling. I couldn't figure it out-- how did everyone in this bar know the lyrics to all these songs? I finished my wine and leaned over to teach one of my Spanish friends the word "sing-a-long." In return, she offered something of an explanation. These songs, she said, were beloved covers from the 1980s.

"In the 80s, after Franco, pop was one of the first arts to recover. Everyone was crazy for music in those days. Those songs brought people together. A lot of people still remember the words." She smiled. I noticed she was tapping her toes to the beat.

The concert was winding down, and I had an early train to catch the next morning. But for a few moments more I sat bathing in the sound of voices raised in unison, now seeing the proceedings from a new perspective. People here are loathe to discuss that part of their history, but (or perhaps thus) I am often surprised by how the specter of Franco still lurks. He's still here, in more than just bad memories-- he's present in the way people think of themselves, their religion and their country; in the absence of nationalistic fervor or even flags (an attitude which for me is reminiscent of Japan) -- and even in something as small as a singalong in a crowded bar.

More thoughts on this to come, I expect.